What would a world with no objective reality look like? How about a language with no nouns? Jorge Luis Borges explores these ideas in a fascinating thought experiment.
I was surprised by Snow: it's very different from John Banville's usual style. There's some beautiful prose as usual, but in the end it's quite a formulaic detective novel.
"Captain Wildboar was his apt nickname in Megalokastro. With his sudden rages, his deep, dark, round eyes, his short, stubborn neck and that jutting fang, the heavy, broad-boned man was really like a wild boar, rearing for the spring."
The View From Belmont raises interesting questions of race and gender amid the barbarousness of a slave-owning society. The dual narrative was a promising technique, but it didn't feel fully realised to me. I'd have liked more of 1990s Trinidad…
This dual narrative set in a 19th-century Caribbean island is an interesting exploration of a critical period, but the narratives feel unbalanced: we spend a lot of time immersed in the prejudices of the plantation owner's daughter, while the account…
Dog-Heart tells the story of two Jamaicans from very different worlds. Sahara is a light-skinned “uptown” woman who runs a successful Kingston restaurant. Dexter is a poor, dark-skinned boy from the “ghetto” neighbourhood of Jacob’s Pen.
How can human relationships be formed without shared memories? Can mathematical order overcome the chaos of a life without memory? Yoko Ogawa's novel explores these fascinating themes through the simple story of a professor and his housekeeper.
Vagabonds! is a startlingly original Nigerian debut novel that introduces us to a compelling cast of marginalised characters struggling to survive and thrive on the chaotic streets of Lagos.