Dutch author Jan van Mersbergen is on a blog tour to promote his new book Tomorrow Pamplona, visiting a different literary blog each day and answering one question on each site. Today he visits my blog, and I asked him the following question:
Q: According to Peirene’s reading guide, you’re renowned for creating silent characters like Danny. Could you talk about why you do this, and what sort of effect you hope to create by having the main character speak so little?
Here’s Jan’s answer:
This also caught the attention in Holland: The Silent Character. Although I like to talk, sometimes more than I like to listen, I don’t like reading a book about a character that talks too much, or a writer that talks too much. Writers that explain too much. I like novels that are like movies, written in the old Show, Don’t tell tradition. For example: A soap opera-actor smoking a cigarette and saying a line about the drama in the movie, about his feelings (I’m happy to find some rest now after all what happened with my dad in France, a week ago blablabla…’) or an actor just smoking, and keeping his mouth shut. Like Clint Eastwood. That’s the choice. In writing you need some information, some images, some lines, but not too much. The story and the plot and the characters can make a novel. So I don’t really want to make a silent character, or reinvent it. I just don’t like a lot of words to say something, in a book. My new novel is written in the I-form, told by the main character. So he has to talk a lot… 50 thousand words. It was a hard struggle to make his voice a decent one, according to my standards.
To see the blog tour schedule and read Jan’s answers on other blogs, you can go to the page hosted by his publisher, Peirene Press.