Clara’s Daughter by Meike Ziervogel

Authors and publishers generally live in different camps. They have their own associations, their own awards, their own complaints about the people in the other camp. Meike Ziervogel is one of the few people to have a foot in both.…

A potential novel: In the Wolf’s Mouth by Adam Foulds

Reading Adam Foulds’s new novel In the Wolf’s Mouth, I was reminded of literary movements like Oulipo, which explored the concept of ‘potential literature’. Don’t get me wrong: it’s not that the novel is particularly experimental. It’s the ‘potential’ aspect that…

The Reckoning by Jacob Soll

From Dante’s Inferno to Monty Python’s Flying Circus, accounting has often had a bad name. The Reckoning by Jacob Soll goes a long way towards redeeming it, showing how financial accountability has been at the heart of the rise and fall…

What I’m Doing When I’m Not Here

I always promised myself I’d never write a “Sorry I haven’t posted in a while…” post. So this isn’t one of those posts. I’m not apologising, nor am I labouring under the illusion that hordes of you were out there…

The Blue Room by Hanne Ørstavik

I cannot get out. Something must have happened to the lock. That’s the first line of Hanne Ørstavik’s novel The Blue Room. Are you feeling claustrophobic yet? If I tell you that the entire novel takes place with the protagonist locked in…

The Dead Lake by Hamid Ismailov

How do you tell the story of a remote injustice to a jaded world? You could make a documentary, or interview the survivors and write a 15,000-word magazine exposé. You could petition the authorities to commission an official enquiry, and…

The Future of Books: Reactive?

How would you like to read a book that reacted to your emotions, and changed its storyline to give you exactly what you wanted? It sounds bizarre, impossible and faintly terrifying, but according to this article in NewScientist magazine, it’s…